The author's headshot, smiling and seated before a colourful print reading 'HOPE'.

I first learned about Eleanor Coade and her stone in an art history class at UCLA.  I came to London the next year as an exchange student and visited several sites with Coade stone.  Then other interests – and life – intervened; decades passed.  In early 2020 I was invited to a celebration weekend with friends at The Landmark Trust’s holiday property Belmont House in Lyme Regis.  Reading about the building on the Trust’s website, I learned it had been rebuilt by Coade and covered in her stone.  I remembered my youthful fandom and was thrilled to be staying in her former home.

The weekend was fabulous; the building is amazing.  Even the first night I felt This is my novel; her story is worth telling.  When I returned to London I bought Alison Kelly’s Mrs Coade’s Stone, to begin the research.  And good thing too, as we immediately went into lockdown!

I was born and raised in Los Angeles, but have been a Londoner for most of my life.  I have worked as a theatre director, installation artist and playwright.  I have had attachments at the National Theatre Studio, poetry and play commissions and writing residencies at Barts Hospital and BDP architects.  I am passionate about art, architecture, travel and Spanish, and often haunt Mexico City. The Firing is my first novel.

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